THE ABSOLUTE
In this synthesis, the cosmogony of the Universe is intended to be captured. The first circle refers to the unmanifested Absolute. The second refers to the first moment of manifestation (Genesis 1:3-5: Then God said, let there be light, and there was light). The third circle refers to its composition; Eastern philosophies describe it as Yin and Yang, though there are other references such as in Sefer Yetzirah (Book of Creation) where it says: “There are two kings; one governs light, the other darkness; the two are opposed in a perpetual struggle.” In man, these two tendencies persist; he is at once light and darkness. The fourth diagram describes the Absolute as a unity, but with its composition of light and darkness where we can observe that more light occurs in exchange for less darkness, and conversely, as darkness increases, light decreases. By paying attention, we can observe that our ancestors in different times and places already left these symbols drawn and engraved where they could be seen and observed by all who wished to see them.
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Cualquier descripción del Absoluto sólo se puede revelar mediante el uso de símbolos, ya que sólo ellos nos hablan directamente a la conciencia.
Heinrich Khunrath in 1609 published Amphitheatrum Sapientiae Aeternae in Hanover (engraving corresponding to the Great Arcana or the manifested God).
Based on the Gospel of John, “In principio erat Verbum, et Verbum erat Deus…” Through the Word, in the Word, and by the Word all things were created, and without Him nothing that is would be in Him was life (John 1:1-4).
Delving deeper into the interpretation of the symbolism, as seen so far, we can deduce that…
RVM